2010, Vol.13, No.1, pp.70-78
We study the route from basic tones towards sounds and chords in
terms of dynamical complexity of the underlying time series of the
sound recordings. Although this route offers increasingly complex
waveforms for the analysis, we provide conclusive evidences that
even the most complex of them is still periodic. The employed
methods of nonlinear time series analysis leading to this
conclusion are very instructive, showing how to avoid pitfalls and
false claims when trying to distinguish experimentally obtained
chaotic traces from those that merely incorporate a large number
of harmonic and inharmonic frequencies yet are still periodic. We
use methods of nonlinear time series analysis as well as waveforms
outputted by a frequency generator and actual recordings of picked
guitar strings for the analysis, thus employing resources that are
readily available in the lab as well as classrooms.
Key words:
quasiperiodicity, chaos, times
series analysis, stringed instruments
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